{"id":989,"date":"2022-02-06T13:52:00","date_gmt":"2022-02-06T18:52:00","guid":{"rendered":"https:\/\/digitalarthistorysociety.org\/?p=989"},"modified":"2022-03-03T13:58:00","modified_gmt":"2022-03-03T18:58:00","slug":"announcement-panorama-theses-on-social-art-history-in-the-age-of-computational-methods","status":"publish","type":"post","link":"https:\/\/digitalarthistorysociety.org\/announcement-panorama-theses-on-social-art-history-in-the-age-of-computational-methods\/","title":{"rendered":"Announcement: :Panorama:\u00a0 Theses on Social Art History in the Age of Computational Methods&#8221;"},"content":{"rendered":"\n<p>From the RAP newsletter from the Clark Art Institute, Anne Helmreich announced the publication of &#8220;Panorama:\u00a0 Theses on Social Art History in the Age of Computational Methods.&#8221;<\/p>\n\n\n\n<p>Big shout out to co-authors Paul Jaskot and Niall Atkinson, Koenraad Brosens, Andre Dombrowski, Jacqueline Francis, Susan Elizabeth Gagliardi, Hubertus Kohle, Min Kyung Lee, Barbara McCloskey, Emily Pugh, &amp; Blake Stimson<\/p>\n\n\n\n<p>Read more here: <br><a href=\"https:\/\/www.clarkart.edu\/research-academic\/publications\/dialogue-and-new-directions-(2022)\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.clarkart.edu\/research-academic\/publications\/dialogue-and-new-directions-(2022)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the RAP newsletter from the Clark Art Institute, Anne Helmreich announced the publication of &#8220;Panorama:\u00a0 Theses on Social Art History in the Age of Computational Methods.&#8221; Big shout out to co-authors Paul Jaskot and Niall Atkinson, Koenraad Brosens, Andre Dombrowski, Jacqueline Francis, Susan Elizabeth Gagliardi, Hubertus Kohle, Min Kyung Lee, Barbara McCloskey, Emily Pugh, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"osom_blocks_metabox":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[528],"tags":[532,530,533,529,531],"acf":[],"jetpack_sharing_enabled":true,"featured_image_src":null,"featured_image_src_square":null,"author_info":{"display_name":"DAHS","author_link":"https:\/\/digitalarthistorysociety.org\/member\/jennifer\/"},"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/digitalarthistorysociety.org\/wp-json\/wp\/v2\/posts\/989"}],"collection":[{"href":"https:\/\/digitalarthistorysociety.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/digitalarthistorysociety.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/digitalarthistorysociety.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/digitalarthistorysociety.org\/wp-json\/wp\/v2\/comments?post=989"}],"version-history":[{"count":0,"href":"https:\/\/digitalarthistorysociety.org\/wp-json\/wp\/v2\/posts\/989\/revisions"}],"wp:attachment":[{"href":"https:\/\/digitalarthistorysociety.org\/wp-json\/wp\/v2\/media?parent=989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/digitalarthistorysociety.org\/wp-json\/wp\/v2\/categories?post=989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/digitalarthistorysociety.org\/wp-json\/wp\/v2\/tags?post=989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}