Alison Langmead holds a joint faculty appointment between the Dietrich School of Arts and Sciences and the School of Computing and Information at the University of Pittsburgh. She teaches and researches in the field of the digital humanities, focusing especially on applying digital methods mindfully within the context of visual and material culture studies. Alison […]
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CFP: “Beyond Tidy Data: Critical Use of Museum Collections Information” (Digital Art History Society – Session at CAA, New York, 15-18 February 2023)
Beyond Tidy Data: Critical Use of Museum Collections Information Session sponsored by the Digital Art History Society Co-Chairs: Lindsay Dupertuis, independent scholar, and Kelly Davis, Yale University Beyond Tidy Data: Critical Use of Museum Collections Information Digital art historians frequently use collections information as data to inform their studies. Many cultural institutions, such as the British Museum […]
Digital Art(work)s: GeoLocated #LOVE (2020-2021) by Clarissa Ribeiro
Spotlight on the artwork GeoLocated #Love (2020-2021) by Clarissa Ribeiro. For a full interview with the artist see LINK Clarissa Ribeiro is a multimedia artist and researcher with an interest in cross-scale information and communication dynamics that impact human-nonhuman behavior and other macro-scale emergent phenomena. Digital Humanities is expanded in her practice in explorations that […]
Meet the Humans Behind Digital Humanities: Felipe Álvarez de Toledo
Felipe Álvarez de Toledo is a Ph.D. Candidate in Duke University’s Art, Art History & Visual Studies Department. He received a bachelor’s degree in Economics from Pompeu Fabra University in Barcelona, Spain, in 2015. Felipe studies historical art markets from a data-driven lens, combining art history and economics. His interests include art markets, the transcontinental trade in paintings in the Early Modern Period, Early Modern […]
CFP: Terra-sponsored Digital Art History Article in Nineteenth-Century Art Worldwide
Terra-sponsored Digital Art History Article in Nineteenth-Century Art Worldwide Deadline: April 15, 2022 Nineteenth-Century Art Worldwide (NCAW) is pleased to announce the continuation of our series American Art History Digitally supported by a grant from the Terra Foundation for American Art. The editors of NCAW are now accepting proposals for the final digital art history article in the series to be […]
CFP: Objects, Pathways, and Afterlives: Tracing Material Cultures in Early America
This two-and-a-half-day symposium in April 2023 at the Huntington Library will articulate new pathways forward in American material cultures, broadly defined in terms of subject matter, hemispheric geography, and time period (from roughly 1500–1860). We invite holistic thinking about existing fault lines in object study and the generative spaces around issues of power, absence, representation, […]